Did You Ever Love Me? by Rithvik Singh is a tender contemporary poetry collection about love, heartbreak, longing, self worth and learning to let go. Its greatest strength is emotional accessibility: Singh writes directly to readers who feel intensely and care deeply. The collection offers comfort without pretending heartbreak is simple, though its simplicity may occasionally feel familiar to seasoned poetry readers. Did you Ever Love Me? Have you ever loved someone so completely that, after they left, you were left wondering whether they had ever understood what they had been given? Not merely whether they loved you, but whether they ever noticed how much you loved them, how much patience you offered, how many small things you remembered, or how often you chose to stay when leaving might have been easier. There is a particular loneliness in that question because it rarely arrives at a dramatic moment. More often, it finds you while you are doing something completely ordinary. Yo...
The Idol Thief by S. Vijay Kumar takes you into the world of idol theft and art smuggling in South India, centring around the audacious crimes of Subhash Kapoor. With a narrative woven through the author’s real-life experiences and encounters with law enforcement, this true crime story reveals a shocking underbelly of corruption, greed, and the relentless pursuit of justice.
In this hardcover edition of Vijay Kumar's debut book, the reader is taken deep into the mysterious world of art thievery. The nonfiction book could have very well been a thriller genre fiction about how a handful of volunteers team up to counter millions of dollars worth racket involving stolen art and artifacts.
More significantly, here we are talking about idols of Gods and Goddesses stolen from temples located in Tamil Nadu, a southern state in India. A well-oiled network of thieves, art dealers, businessmen aided by a complacent and apathetic government, managed to loot Temples of their prized artifacts, especially those which are like centuries old.
These were then exported abroad to be sold to fancy museums and art collectors. Yes, people like to buy Gods too! For their personal collection. What probably they failed into account was a group of proactive individuals, connected through the internet, unraveling this at times unintentionally and unknowingly as to what they were getting into. Their zeal was matched by a few individuals in the government investigative agencies who were doing a good job at their posts.
S. Vijay Kumar has been at the front of this mission. Being a blogger, he started writing about this and eventually became the face of the movement which unraveled the international art smuggling ring led by Subhash Kapoor. He owned an art gallery which sold and distributed art to wealthy buyers and museums, which threw caution to winds while purchasing such pieces completely against norms.
But as I was reading this gripping book, it dawned upon me, that how it is a story of one State in India. Since Independence, Indians have systematically plundered their own heritage by facilitating the sale of the priceless heritage left by our ancestors.
This story revolves around the Chola Artefacts. I am sure there are many other networks which need to be exposed.
What Makes This a Timely Read?
The Idol Thief is particularly relevant in today’s global climate, where discussions around cultural heritage and restitution are gaining momentum. As countries grapple with the repatriation of stolen artifacts, Kumar’s account serves as a timely reminder of the past and the urgency of the present. His message is clear: the struggle to bring our Gods home is not just a matter of national pride; it is a matter of justice.
In an age where cultural awareness is on the rise, this book serves as a clarion call for the preservation of heritage. As Kumar states, “We cannot afford to let greed overshadow the sanctity of our cultural treasures.”
As I closed the book, I couldn’t help but reflect on the broader implications of Kapoor’s actions. The theft of these idols was not merely an assault on art; it was an affront to the very identities of the communities from which they were stolen. Kumar’s work is a testament to the need for accountability and the moral imperative to protect our shared heritage.
Pages - 225
Edition - Hardcover
Publisher - Juggernaut Books
Publishing year - 2018
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